Books with author John Hollander

"A sonnet is a moment's monument," said Dante Gabriel Rossetti in a sonnet about sonnets.The sonnets in this collection—whether they capture moments of perception, recognition, despair, or celebration—reveal how great an amount of feeling, insight, and experience can be concentrated into a mere fourteen lines.Here are classics such as Milton's "On His Blindness," Yeats's "Leda and the Swan," and Frost's "The Oven Bird," juxtaposed with the mischievous wit of Rupert Brooke's "Sonnet Reversed," the lyric defiance of Mona Van Duyn's "Caring for Surfaces," and the comic poignancy of Philip Larkin's "To Failure." From the lovelorn laments of Dante and Petrarch to the artful heights of Sidney, Spenser, and Shakespeare, from the masterpieces of Wordsworth and Keats to the innovations of Elizabeth Bishop, Wallace Stevens, and James Merrill, the sonnet has proved both versatile and enduring. This delightful anthology displays the incredible range and power of the verse form that has inspired poets across the centuries.

There are many reasons you could have been drawn to this book — or, perhaps, this book somehow found you! Are you looking for answers as to what happens to your loved ones after they pass? Perhaps you’re wondering what you should do after having had a psychic experience. Whether you’re a student of psychic studies or a practicing medium, a believer or a skeptic, or someone who is bereaved as a result of a loss, this book was written to provide you with all the answers to your questions about the Other-Side.In Bridging Two Realms, renowned psychic medium John Holland offers one of the clearest pictures anyone could have of the Spirit World. He draws on his decades of personal experiences with Spirit, and includes inspirational stories and real-life case studies, to help you pursue the unfoldment of your own spiritual abilities safely and wisely. His hope is to help the bereaved by giving them comfort and inspiration in knowing that there really is life after physical death. There is evidence of the Spirit World and what happens in those spiritual realms. Your loved ones are just a thought away, and you can still communicate with them. They’re still close, and they often try to reach out to us to lend their love and support.Ultimately, you will learn that mediumship is not just about connecting to the Spirit World; it’s just as much about helping and healing the living. There are spiritual bridges that can be built to connect to your loved ones who have passed, as well as the most important bridge of all: the bridge to your own spirit.

There could be many reasons why you’re drawn to this book — or perhaps synchronicity had a part to play in that this book somehow found you! Are you looking for answers as to what happens to your loved ones after they’ve passed? Perhaps you’re wondering what you should do after having had your own psychic experience. Whether you’re a student of psychic studies or a practicing medium, a believer or a skeptic, or someone who is bereaved as a result of a loss, this book was written to provide you with all the answers to your questions about the Other-Side.In Bridging Two Realms, renowned psychic medium John Holland offers one of the clearest pictures anyone could have of the Spirit World. He draws on his decades of personal experiences with Spirit, and includes inspirational stories and real-life case studies, to help you pursue the unfoldment of your own spiritual abilities safely and wisely. His hope is to help the bereaved by giving them comfort and inspiration in knowing that there really is life after physical death. There is evidence of the Spirit World and what happens in those spiritual realms. Your loved ones are just a thought away, and you can still communicate with them. They’re still close, and they often try to reach out to us to lend their love and support.Ultimately, you will learn that mediumship is not just about connecting to the Spirit World; it’s just as much about helping and healing the living. There are spiritual bridges that can be built to connect to your loved ones who have passed, as well as the most important bridge of all: the bridge to your own spirit.

A delightfully ghoulish array of specters and sorceresses, witches and ghosts, hags and apparitions haunt these pages–a literary parade of phantoms and shades to add to the revelry of All Hallow’s Eve.From Homer to Horace, Pope to Poe, Randall Jarrell to James Merrill, Poems Bewitched and Haunted draws on three thousand years of poetic forays into the supernatural. Ovid conjures the witch Medea, Virgil channels Aeneas’s wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt, in poems that call out to be read aloud, whether around the campfire or the Ouija board. From ballads and odes, to spells and chants, to dialogues and incantations, here is a veritable witches’ brew of poems from the spirit world.

In nineteenth-century America, poetry was an integral part of everyday life. The two volumes of The Library of America’s American Poetry: The Nineteenth Century reveal the vigor and diversity of a tradition embracing solitary visionaries and congenial storytellers, humorists and dissidents, songwriters and philosophers. These extraordinary anthologies reassess America’s poetic legacy with a comprehensive sweep that no previous anthology has attempted.Extending chronologically from the classic couplets of Philip Freneau to the pioneering free verse of Walt Whitman, this first volume charts the formation of a distinctly American poetry. Here, in generous selections, are the major figures: Poe, Emerson, Bryant, Longfellow, Whittier—as well as such unexpected contributors as the landscape painter Thomas Cole, the actress Fanny Kemble, and the presidents John Quincy Adams and Abraham Lincoln.This collection offers the unique opportunity to appreciate anew such classics as Whittier’s “Snow-Bound,” Bryant’s “Forest Hymn,” and Emerson’s “Hamatreya,” while discovering a world of less familiar pleasures: the mystical sonnets of Jones Very, the Romantic fantasias of Maria Gowen Brooks, the stirring political poems of Joel Barlow and John Pierpont, and the somber and undervalued late lyrics of Longfellow.Woven among the poetry of the early nineteenth century is a wealth of popular ballads, recitations, and songs both secular and religious: “Home, Sweet Home,” “A Visit from St. Nicholas,” “It Came Upon the Midnight Clear,” “Battle Hymn of the Republic.” From Lydia Maria Child’s Thanksgiving poem (“Over the river and through the wood”) to George Pope Morris’s “The Oak” (“Woodman, spare that tree!”), these pages ring with the phrases that have become part of the national memory.Unprecedented in its textual authority, the anthology includes newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800 to 1900, and extensive notes.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

At last in a deluxe collector's edition boxed set, the most complete and authoritative anthology of 19th century American poetry ever publishedFrom the lyrics of Walt Whitman and Emily Dickinson to folk ballads and moving spirituals, one of our nation's greatest cultural legacies is the distinctly American poetry that arose during the nineteenth century. Unprecedented in its comprehensive sweep and textual authority, and now presented for the first time in a deluxe two-volume boxed set, the Library of America's acclaimed anthology American Poetry: The Nineteenth Century reveals for the first time the full beauty and diversity of that tradition. The century's greatest poets are here in generous selections: Dickinson, Poe, Emerson, Melville, and Whitman. Alongside are the now-undervalued achievements of Whittier, Longfellow, Bryant, Lowell, and Holmes, as well as poems just finding full recognition: mystical sonnets by Jones Very, the Romantic fantasias of Maria Gowen Brooks, the modernist stirrings of Stephen Crane. Also here are American Indian poetry in nineteenth-century versions, a rich gathering of anonymous folk songs, and popular spirituals and hymns, like "Battle Hymn of the Republic" and "It Came Upon the Midnight Clear." The anthology includes a newly researched biographical sketch of each poet and a year-by-year chronology of poets and poems from 1800 to 1900.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Melissa is fussing. Of the four teenage girls sharing the club room at Ashwood Stables, she is the most likely to fuss, usually over her own appearance. With the annual show at Hightower Equestrian Centre coming ever closer, she is determined that she will be perfect. Unfortunately she is more concerned with her appearance than with her riding. Lucinda is concerned that she will not put in enough practice.Unknown to all four of the girls, there is about to be something of an upheaval in their lives. It arrives in the shape of Tracey, a girl discovered by Robert, the yard owner. She has taken Curtains on loan while his owner is at university. Since she is the same age as the other four girls, she has a right to use the facilities at the stables, and Robert has decided they should train together. This would have been perfectly acceptable, only Tracey is both common and talented.It is Melissa who finds her presence offensive and threatening. She is the one who sets out to prove that she is superior, in all senses of the word, and she is the one to fall flat on her face, though in the literal sense it is another part of her anatomy which takes the fall.Tracey has no desire to cause any trouble, but Lucinda and Chloë decide that her talent needs nurturing, she belongs with them and it will do Melissa good to have a little competition. The problem is that Melissa is being pushed too hard. Lucinda suspects it is her step-mother, Georgia, who is at the root of all her problems. Georgia is young, and is inclined to act like one of the girls. Melissa will not talk about any home problem.Dealing with the problems so they all remain Ashwood Girls is the task which faces Lucinda. It is not going to be easy.

Melissa is having a great deal of trouble with her young step-mother. Her own mother is visiting from her racing yard in Ireland, complete with her jockey boyfriend. Melissa finds balancing them hard. Then there is a break in at Ashwood. Chief suspect is a young lad linked to Tracey and some people think she was involved. Melissa knows she isn't, but is afraid to say how she knows. She must win at the show, her father demands it, but people can be pushed too far and Melissa stands up and tells the truth.

With this handsomely illustrated edition of O. Henry's best, children can now enjoy all the surprising twists and turns of six favorite tales by the master of the short story: "The Gift of the Magi," "Two Thanksgiving-Day Gentlemen," "The Last Leaf," "Mammon and the Archer," "After Twenty Years", and "A Retrieved Reformation." Noted scholar John Hollander provides the thoughtful introduction and insightful annotations, and illustrator Miles Hyman brings the stories to life in nostalgic pictures that evoke an America gone by.

Melissa is in love with a new 16 year old boy at the paired boy's school. She pursues him and her riding suffers. Cassandra is in love with a bar of chocolate, but needed desperately to lose weight to impress her cousins. Tracey is determined to win, but it is possible the cost is too high. Lucinda is in trouble which may prevent her riding in the Moorwood Park One Day Event. Chlo observes and records how all these problems are resolved. She also pokes her nose into all of them in an attempt to ensure her friends come through all their troubles without making a mess of their lives.